United Fumadors Korg MS-20
This control is selected octave. Each halving the number one octave higher. For example, 4 '(rate) of the octave of 8', 16 'is an octave higher than 8, VCO1 a range of 32' to 4 ', the VCO 16 from 2' to 2 '. Waveform
It selects the waveform that determines the basic color tone (timbre). VCO1 has four triangular wave, sawtooth, pulse and noise. VCO "has three waveforms: sawtooth, square, pulse (10%), plus a setting for ring modulation. Each wave has its own distinctive sound.
Triangular indiska wave - very basic waveform that has only a few aliquot tones and has a mild, rounded tone color. Great for flute, vibraphone and similar instruments. The triangular wave can be converted into a sinusoidal wave (which has no aliquot tones) using the Low Pass Filter (Low Pass Filter).
Sawtooth wave - waveform rich in overtones, and one of the most useful for those involved in the synthesis of sound. It is used for strings, indiska brass wind instruments, voice and other sounds rich overtones. Voltage-controlled filter (VCF) is a wave with saw particularly effective.
The rectangular wave - changing the waveform that has a different timbre depending on the width of its peak (pulse width). When the top and bottom is equal, the waveform is called a square wave and a "hollow" character of the instruments used mouthpiece (eg clarinet). As the pulse width decreases proportionally, changing indiska the color and tone: the sound becomes "nasal". This wave is called the pulse wave. MS-20 is controlled by changing the width of the wave PW.
White noise - atonal sound that consists of all the frequencies of the same rank. Used to winds, waves, gunshots, percussion and similar effects. Using a filter frequencies can amplify and reduce other creating a wide variety of sound effects.
Square wave variation rectangular wave in which the top and bottom equal. "Hollow" sound that contains only odd overtones. indiska It is used to simulate the instrument with a single beep sounds, and other closed-pipe.
Pulse wave - this rectangular waveform indiska having a relatively narrow width of the peak and is characterized by a "nasal" sound colors and strong presence of senior aliquot tones. It is used to simulate the double-reed instruments (oboe, trumpet, bagpipes ...) and some of the instruments that create sound twitching wires (eg cymbals and clavinet).
Ring Modulator - This setting combines the sounds of both VCO's in such a way that creates the sum and difference of the present aliquot tones. The result is a loud, "metal" tone that is useful for gongs, bells and various similar effects. The resulting sound act both as a control Scale and Pitch Control and PW and to provide the desired effect must be used judiciously.
This control changes the tone of VCO-2 in the range of one octave. Intonation VCO-2 can tune in to one of VCOa one or adjust in some interval (eg, third, fifth, etc.). Once set the tone, thanks to Korg's technology, it remains extremely stable through a full range of playing. PW
This control changes the width of the rectangular indiska pulse wave (PW) VCO's first To "0" waveform is symmetrical (ie square wave). indiska As you turn the pot to the right pulse width is increased correspondingly. Sometime around the end of the pulse becomes so narrow that virtually indiska disappears, so that the sound can not be heard.
Adjusts the "slip" indiska ... time that MS-20 is to be transferred from one note to another note. The ability of liquid indiska transition between notes is characteristic regret having only monophonic synthesizers and another indiska more creative effect.
If the board does not have cable in the socket FREQ this control adjusts the volume for generator envelope 1 the second VCO Lift Control and Play the note on the keyboard. Notice how the intonation of notes up and down in line with the envelope curve (see Envelope Generator 1). If the outlet is connected to an external FREQ control (eg reel modulation envelope upside down, etc.) control then changes indiska the intensity of action and control. VCO Mixer
Dedicated controls the output level of the VCO 1 and VCO 2 allow the user to freely adjust the volume balance of the two oscillators or to expel both oscillators when processed by an external signal. Voltage-controlled indiska high-pass filter (VCHPF)
He throws the aliquot part of the tones that are present in the waveforms which was chosen as part of the oscillators. Cutoff frequency can be adjusted from low areas up. Cutoff frequency set then cutoff frequency or some external control voltages. Citoff Frequency
scale in this pot goes from 0 to 10, but is in position 0 filter is fully open and the basic color tone waveform does not change. As you turn the pot, the color tone becomes lighter, Play the note on the keyboard, turn the pot and listen to the effect of the Peak
This pot is determined by the strength of emphasis over the area just below the cutoff frequency, which is then placed above. When is around the maximum, the filter begins to oscillate and I actually
This control is selected octave. Each halving the number one octave higher. For example, 4 '(rate) of the octave of 8', 16 'is an octave higher than 8, VCO1 a range of 32' to 4 ', the VCO 16 from 2' to 2 '. Waveform
It selects the waveform that determines the basic color tone (timbre). VCO1 has four triangular wave, sawtooth, pulse and noise. VCO "has three waveforms: sawtooth, square, pulse (10%), plus a setting for ring modulation. Each wave has its own distinctive sound.
Triangular indiska wave - very basic waveform that has only a few aliquot tones and has a mild, rounded tone color. Great for flute, vibraphone and similar instruments. The triangular wave can be converted into a sinusoidal wave (which has no aliquot tones) using the Low Pass Filter (Low Pass Filter).
Sawtooth wave - waveform rich in overtones, and one of the most useful for those involved in the synthesis of sound. It is used for strings, indiska brass wind instruments, voice and other sounds rich overtones. Voltage-controlled filter (VCF) is a wave with saw particularly effective.
The rectangular wave - changing the waveform that has a different timbre depending on the width of its peak (pulse width). When the top and bottom is equal, the waveform is called a square wave and a "hollow" character of the instruments used mouthpiece (eg clarinet). As the pulse width decreases proportionally, changing indiska the color and tone: the sound becomes "nasal". This wave is called the pulse wave. MS-20 is controlled by changing the width of the wave PW.
White noise - atonal sound that consists of all the frequencies of the same rank. Used to winds, waves, gunshots, percussion and similar effects. Using a filter frequencies can amplify and reduce other creating a wide variety of sound effects.
Square wave variation rectangular wave in which the top and bottom equal. "Hollow" sound that contains only odd overtones. indiska It is used to simulate the instrument with a single beep sounds, and other closed-pipe.
Pulse wave - this rectangular waveform indiska having a relatively narrow width of the peak and is characterized by a "nasal" sound colors and strong presence of senior aliquot tones. It is used to simulate the double-reed instruments (oboe, trumpet, bagpipes ...) and some of the instruments that create sound twitching wires (eg cymbals and clavinet).
Ring Modulator - This setting combines the sounds of both VCO's in such a way that creates the sum and difference of the present aliquot tones. The result is a loud, "metal" tone that is useful for gongs, bells and various similar effects. The resulting sound act both as a control Scale and Pitch Control and PW and to provide the desired effect must be used judiciously.
This control changes the tone of VCO-2 in the range of one octave. Intonation VCO-2 can tune in to one of VCOa one or adjust in some interval (eg, third, fifth, etc.). Once set the tone, thanks to Korg's technology, it remains extremely stable through a full range of playing. PW
This control changes the width of the rectangular indiska pulse wave (PW) VCO's first To "0" waveform is symmetrical (ie square wave). indiska As you turn the pot to the right pulse width is increased correspondingly. Sometime around the end of the pulse becomes so narrow that virtually indiska disappears, so that the sound can not be heard.
Adjusts the "slip" indiska ... time that MS-20 is to be transferred from one note to another note. The ability of liquid indiska transition between notes is characteristic regret having only monophonic synthesizers and another indiska more creative effect.
If the board does not have cable in the socket FREQ this control adjusts the volume for generator envelope 1 the second VCO Lift Control and Play the note on the keyboard. Notice how the intonation of notes up and down in line with the envelope curve (see Envelope Generator 1). If the outlet is connected to an external FREQ control (eg reel modulation envelope upside down, etc.) control then changes indiska the intensity of action and control. VCO Mixer
Dedicated controls the output level of the VCO 1 and VCO 2 allow the user to freely adjust the volume balance of the two oscillators or to expel both oscillators when processed by an external signal. Voltage-controlled indiska high-pass filter (VCHPF)
He throws the aliquot part of the tones that are present in the waveforms which was chosen as part of the oscillators. Cutoff frequency can be adjusted from low areas up. Cutoff frequency set then cutoff frequency or some external control voltages. Citoff Frequency
scale in this pot goes from 0 to 10, but is in position 0 filter is fully open and the basic color tone waveform does not change. As you turn the pot, the color tone becomes lighter, Play the note on the keyboard, turn the pot and listen to the effect of the Peak
This pot is determined by the strength of emphasis over the area just below the cutoff frequency, which is then placed above. When is around the maximum, the filter begins to oscillate and I actually
No comments:
Post a Comment