United Fumadors U-he ACE
At first glance, the structure of ACE resembles the structure office chairs of simple synthesizer from the late seventies and early eighties - a structure office chairs that is then adopted by the first generation of "virtual analog" hardware synthesizer nineties. Whenever you open a new instance of ACE boards a basic patch without any cables. Pre-connected signal path is as follows:
Oscillator 1, suboscilator, oscillator 2 and the noise generator are mixed in a mixer and from there the signal is sent to the first filter This filter is connected to the amplifier 1, the same time, ie, in parallel, the oscillator 2 is sent to the filter 2 and then to the second amplifier.
LFO 1 is by default used for modulation of intonation, office chairs ie vibrato for both oscillators and intensity vibrato is controlled reel modulation (MIDI CC # 1). LFO 2 is connected to the inputs of the pulse width modulation of the main oscillator, and the cutoff frequency of both filters.
Always keep in mind that these are just the basic connections - they can be replaced by any signal that you want by simply inserting cables. office chairs Also, remember that the one way you can have multiple cables connected simultaneously, but only one cable is connected to an input.
If you just need to compare the ACE with a classic modular synthesizer (or three of them), office chairs imagine him as fabricated ARP 2600 that uses modules with Roland SH-7 is having the flexibility to connect as one EMS VCS3 / Synth And - but that is polyphonic. Just like the ARP 2600, ACE is connected in advance so it can work "straight office chairs out of the box", but all of these default connections can bypass the use of cables. Roland SH-7, as well as the ACE, and a second filter, and an additional envelope generator. However, many modules in ACE're made with the intention to perform very different or unusual tasks. For example, a ramp generator can be used as an LFO module as multiple ring modulator and LFO 1 as waveshaper. office chairs Operation office chairs Settings synthesizer
Mode determines the polyphony ii basic interpretation of MIDI notes. Poly - polyphonic work (both can play multiple notes) Retrigger - mono operation, the notes can always trigger, even when they overlap. Legato - mono operation, note the trigger if I can dismiss all currently been performed notes. Duophonic - 1 VCO, VCF, and LFO 1 1 respond to a lower note, while two VCO, VCF, and LFO 2 2 react to a higher note.
Few and medium settings can reduce the load on the CPU, especially when sounds with relatively long release times of the envelope. Be careful stacking office chairs (see below) uses multiple voices at once, and therefore reduces the polyphony. office chairs
Quality switch is also used to reduce the load of the CPU. Depending on the speed or the amount of modulation distortion filters, the quality can be reduced office chairs to a standard or even draft a noticeable difference in quality. Of course, you can decide in accordance office chairs with how the patch will be used - sometimes it will be good for the low notes, but less than optimal as you climb up the keyboard.
Stack parameter specifies the number of votes per note. On the "pile" can set up 8 votes and TDA get very powerful unison effect, office chairs as some classic polyphonic office chairs synthesizer, Oberheim office chairs eg OBXa. Depending on the modality and the amount of stack parameters, office chairs ACE still can play and poly. Remember that this is not "supersaw oscillator", it is the actual unison: full voice (all oscillators, filters, etc..) Are multiplied. Of course this kind of thing quite a lot of CPU power, but it is our opinion that it's worth it. For example, the distortion of the filter on one note is much "livelier" than it can make one filter. office chairs At Tweak page to a maximum of 8 votes raštimati can range from + / - 24 halftone.
Pot glide controlled or time "slip" or his speed, depending on the state of the switch glide mode. In this setting, the slide from one note to another at an interval of one or halftone eg 6 octaves will take the same time, while in postavkr rate, it will depend on how the notes apart.
Range - With classic polyphonic Sint, Polyphonic portamento are seldom used except for special effects. The ACE-in, the parameter range can be used to move the starting position (where the glide begins) closer to the target note. So you can glide start eg "but a half times." Tip: To get the effect of natural intonation, set the range to a very small value.
Especially with synthesizers that allow modulation of the audio speeds, the oscilloscope is an invaluable aid for programming sounds. Make sure that the display is not synchronized notes played, as well as the zero-crossing (from negative to positive) and whenever you complete a longer scan.
All four oscillators (LFO1, LFO2, VCO1 and Vo2 curve) have the same set of parameters for intonation - pot for coarse tuning, fine tuning of the pot and the pot for modulation. Each of them had his switch to select modes of operation.
Pot for coarse tuning (left top) of each oscillator has a range of 0.00 to 24, and the modalities of operation are as follows: Semi - to 24 Halftone above the current intonation. P
At first glance, the structure of ACE resembles the structure office chairs of simple synthesizer from the late seventies and early eighties - a structure office chairs that is then adopted by the first generation of "virtual analog" hardware synthesizer nineties. Whenever you open a new instance of ACE boards a basic patch without any cables. Pre-connected signal path is as follows:
Oscillator 1, suboscilator, oscillator 2 and the noise generator are mixed in a mixer and from there the signal is sent to the first filter This filter is connected to the amplifier 1, the same time, ie, in parallel, the oscillator 2 is sent to the filter 2 and then to the second amplifier.
LFO 1 is by default used for modulation of intonation, office chairs ie vibrato for both oscillators and intensity vibrato is controlled reel modulation (MIDI CC # 1). LFO 2 is connected to the inputs of the pulse width modulation of the main oscillator, and the cutoff frequency of both filters.
Always keep in mind that these are just the basic connections - they can be replaced by any signal that you want by simply inserting cables. office chairs Also, remember that the one way you can have multiple cables connected simultaneously, but only one cable is connected to an input.
If you just need to compare the ACE with a classic modular synthesizer (or three of them), office chairs imagine him as fabricated ARP 2600 that uses modules with Roland SH-7 is having the flexibility to connect as one EMS VCS3 / Synth And - but that is polyphonic. Just like the ARP 2600, ACE is connected in advance so it can work "straight office chairs out of the box", but all of these default connections can bypass the use of cables. Roland SH-7, as well as the ACE, and a second filter, and an additional envelope generator. However, many modules in ACE're made with the intention to perform very different or unusual tasks. For example, a ramp generator can be used as an LFO module as multiple ring modulator and LFO 1 as waveshaper. office chairs Operation office chairs Settings synthesizer
Mode determines the polyphony ii basic interpretation of MIDI notes. Poly - polyphonic work (both can play multiple notes) Retrigger - mono operation, the notes can always trigger, even when they overlap. Legato - mono operation, note the trigger if I can dismiss all currently been performed notes. Duophonic - 1 VCO, VCF, and LFO 1 1 respond to a lower note, while two VCO, VCF, and LFO 2 2 react to a higher note.
Few and medium settings can reduce the load on the CPU, especially when sounds with relatively long release times of the envelope. Be careful stacking office chairs (see below) uses multiple voices at once, and therefore reduces the polyphony. office chairs
Quality switch is also used to reduce the load of the CPU. Depending on the speed or the amount of modulation distortion filters, the quality can be reduced office chairs to a standard or even draft a noticeable difference in quality. Of course, you can decide in accordance office chairs with how the patch will be used - sometimes it will be good for the low notes, but less than optimal as you climb up the keyboard.
Stack parameter specifies the number of votes per note. On the "pile" can set up 8 votes and TDA get very powerful unison effect, office chairs as some classic polyphonic office chairs synthesizer, Oberheim office chairs eg OBXa. Depending on the modality and the amount of stack parameters, office chairs ACE still can play and poly. Remember that this is not "supersaw oscillator", it is the actual unison: full voice (all oscillators, filters, etc..) Are multiplied. Of course this kind of thing quite a lot of CPU power, but it is our opinion that it's worth it. For example, the distortion of the filter on one note is much "livelier" than it can make one filter. office chairs At Tweak page to a maximum of 8 votes raštimati can range from + / - 24 halftone.
Pot glide controlled or time "slip" or his speed, depending on the state of the switch glide mode. In this setting, the slide from one note to another at an interval of one or halftone eg 6 octaves will take the same time, while in postavkr rate, it will depend on how the notes apart.
Range - With classic polyphonic Sint, Polyphonic portamento are seldom used except for special effects. The ACE-in, the parameter range can be used to move the starting position (where the glide begins) closer to the target note. So you can glide start eg "but a half times." Tip: To get the effect of natural intonation, set the range to a very small value.
Especially with synthesizers that allow modulation of the audio speeds, the oscilloscope is an invaluable aid for programming sounds. Make sure that the display is not synchronized notes played, as well as the zero-crossing (from negative to positive) and whenever you complete a longer scan.
All four oscillators (LFO1, LFO2, VCO1 and Vo2 curve) have the same set of parameters for intonation - pot for coarse tuning, fine tuning of the pot and the pot for modulation. Each of them had his switch to select modes of operation.
Pot for coarse tuning (left top) of each oscillator has a range of 0.00 to 24, and the modalities of operation are as follows: Semi - to 24 Halftone above the current intonation. P
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