Encourages talented mobilia Claude Germain to continue mobilia writing, to find out. More He reache

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I ride in a flight over the Grand Place, the Naamsestraat. Using my thighs I climb this rather steep slope until I can make dumplings. Sudden back With a hot body and cold hands arrive in the Piece, Naamsestraat 96. My friends have already purchased tickets and practical issues associated with money are handled quickly before entering. The cinema We find us a place in this relatively small, warm and cozy room. Back row, not too big people in front of me, perfect.
At home I had the trailer of the film have already been watched and talked to me almost immediately. The compelling and challenging music in the background shows already that this price will be. No ordinary mobilia movie Le français, c'est magic. The fact that French is spoken in the film, bother me in the least. Accurate to say that it fascinates me and that it increases my alertness. Initially mobilia hangs a very bookish air about the film thanks to the uniforms and the clear distinction between student mobilia and teacher. Gradually faded this atmosphere and get the film a different tension.
Germain La Fontaine, a French teacher who gradually lost its rosy glasses and is now primarily a pessimistic view has on teaching, life. He tries to give his students some literacy and love of French mobilia and stir. Undiscovered writing talent Unfortunately it seems to be better than the previous ones. Put even more disastrous in this class At the kitchen doing Germain complained to his wife, a gallery owner. He occasionally reads outrageously bad passages from texts of his pupils. The surprise is all the greater when he ventured out loud to the essay by Claude François.
While his wife shocked agitated and her husband are trying to make this a bizarre essay is for a 16-year-old, clearly Germain not listen long and he becomes intrigued by this unusual story that ends just "à suivre". mobilia Claude François mobilia describes very subjective way the house of his friend Rapha and talks about "the special smell of middle-class women" who draws his attention. There is a special connotation to the story that you still can not figure out the meaning. Immediately Though it is clear that not only gives Claude tutoring mathematics at Rapha charity. He calls them the "normal family", showing mobilia that his family is not. This is evident when his teacher requesting information about him. Mother road, father handicapped by a work accident, a difficult home situation. mobilia But why just the family Rapha?
Encourages talented mobilia Claude Germain to continue mobilia writing, to find out. More He reaches Claude other reading materials to which they can learn and they speak in the afternoon mobilia regularly to discuss the texts. Closer to the characters, mobilia not subjective, make sure that something happens in the story. These are just some of the tips that Germain meegeeft him. Every day is his pupil ready with a new story, which he tries to take into account. Advice of his teacher The 16-year-old Claude considers the encouragement of his teacher as an escort in the house of the Rapha's. mobilia
La Fontaine is still under the delusion that it is fiction, while his wife believes that it really is a true story. The more stories are written, the more blurred the distinction between fiction and reality.
The viewer is completely carried away and for you it remains uncertain what is really happening and what is not. When parroting showed that each there is a different idea afforded,. This is what makes the film so compelling. You can come up with for days theories around in your head without getting bored.
Coast Rapha Jr.. Claude really, he comes out of the closet? Is the short-lived romance between the mother from the middle class and the author reality? He looks when Esther and her husband mobilia have sex? He hears their conversations?
Prohibits Claude Germain to continue writing about the family of Rapha, it is too dangerous. Edoch he continues forward to the sequel. It now appears that the manipulation is not only coming from one side. The young student teacher used among other things to get to a test of math and used to Rapha Germain to push off the ground.
The poor, jaded teacher sees the forest for the trees, nor his wife. Tension is built up. Not only are the brutal acts and faster, the music plays a significant role.
The frustrations are running high.